![]() Lawyers are only necessary when a case contains a multiplicity of details and ambiguities, or there is a reasonable doubt as to the seriousness of the crime. Whereas his former life had been lived in fragments, this new life is a highly regimented system. He is confronted with legal mechanics and is a stranger in this new world, without any knowledge of this foreign, legalistic environment. Meursault still does not know whether or not a lawyer is necessary, for a lawyer still seems superfluous we know Meursault killed an Arab and he knows that he killed an Arab. Meursault blandly answers again that he hadn't thought about obtaining the services of a lawyer. From the first, he is curious and even amused at Meursault's naiveté when he is queried about a lawyer. This magistrate recognizes that Meursault is not a typical murderer. This new magistrate, however, eyes Meursault with distinct curiosity. To the earlier police officers who questioned Meursault, he was faceless he was simply a Frenchman who had shot an Arab. Whereas Meursault's first examination took place at the police station and was uneventful, the examination, a week later, before a magistrate is different. To him, this is "an excellent arrangement" he won't have to waste his time with petty trivials. He is, in fact, pleased to learn that the court will appoint a lawyer for the defense all the bothersome details will be taken care of. That would be too much trouble and Meursault is not sure that it is necessary for him even to have a lawyer. To Meursault, it didn't seem necessary to find a lawyer, consult with the lawyer, and pay this man a large fee for defending him. Meursault's answer is succinct and honest: no, of course not. Meursault has so little comprehension of what is happening that he is surprised when an examining magistrate asks him if he has obtained a lawyer. Instead of his telling us about his internal feelings, which he seems to ignore or lack, he describes, in bare outlines, the boredom of the police official's questioning and the repetition of giving again and again his name and address and occupation. He is not deeply concerned about his case or the possibility that he has committed the ultimate of crimes - murder. Interestingly, this attitude is, more or less, how Meursault views the matter. At first, he says, nobody seemed to have much interest in his case. It's not escapist entertainment, but it is compelling.The first chapter of Part Two is narrated in Meursault's frequent matter-of-fact tone, describing his first interrogation by police officials. Kenneth Branagh is excellent as the world-weary Wallender, and he is supported by an excellent cast including David Warner, Jeany Spark, Arsher Ali, and Tom McCabe. ![]() This a gritty story, relentless in its heavy mood, and not something to watch when you have a headache. On the personal side, Wallender is attempting to connect with his daughter, who has a new boyfriend, a Syrian. This is obviously a hot topic and arouses threats against the migrant workers. And there's a very real problem inside the police force: someone has been leaking information about the case to the press, including the guess on Wallender's part that Maria might have said "foreigner" before she died. This leads to a search for the other family. A neighbor tells Wallender that the man had a mistress and a child. Though the couple lived on a rundown farm, Johannes had a separate bank account out of which he withdrew a large amount of money each quarter. ![]() There's more to Johannes' life than first appears. In this story, an elderly couple, Johannes and Maria Lovgren, is killed in a home invasion, and it looks as if they were tortured before their murders. Branagh, unshaven and with messy hair, is the detective who takes everything to heart rather than being detached. A beautiful, lonely terrain is the setting for "Wallender: Faceless Killers," in season 2 of the series starring Kenneth Branagh. ![]()
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